NEXUS recently performed in Toronto with the Toronto Children’s Chorus. The concert took place in the magnificent St. Anne’s Church, which was founded in 1862 and reconstructed in 1920 in the style of the Byzantine Revival. The church interior is decorated and painted with murals by artists who were members of Canada’s famous Group of Seven. The acoustics are absolutely fantastic for both the audience and performers, a rare dual achievement. I was energized by this concert, which was an afﬁrmation of the devotion of many who encourage young people to not only make music but to appreciate it. My guess is that not many of these young people will pursue a career in music but their involvement in the chorus will ensure a lifelong love of the arts. This is a huge organization with many wonderful conductors, organizers and participants. After several sub-groups of the larger chorus performed individually, NEXUS closed out the program with a few arrangements by Russell Hartenberger of the music of Moondog, one of which involved some of the older singers.
We then performed “Sky Ghost” by Russell with a larger group and ﬁnished the program with everyone performing an arrangement by my brother Rick Kvistad and Baird Hersey of “Amazing Grace.” I suspect that everyone in the audience had the same feeling of overwhelming joy that I had while hearing these angelic voices. All of the conductors were exceptional and it was clear they had the respect of these young people. The preparation for the concert was also exceptional. We rehearsed only a few hours before the concert with the groups since they were so well prepared. While I am dismayed that not enough music is being taught at early ages in our school systems, it’s great to know that after-school programs like this can be extremely successful. There are so many studies available to support the connection between artistic endeavors and learning. Singing, playing an instrument, drawing, painting and writing, to name a few, are so important to the development of our youth. It’s all about priorities. Can we straighten those out?
Right here in the little village of Woodstock, NY, a major film festival is now in its 16th year: WoodstockFilmFestival.com. This season, I am happy to report that our 8-minute film, Chimes for Autism: Tyler’s Story, was accepted in the short documentary category and had two sold out screenings during the festival. There were five other great short documentaries shown in the same time slot. I have seen our film dozens of times but this was a new experience to see it on a large theater screen before and after other films.
It held its own beautifully and I was very proud of the message it conveys. We received many compliments after the showing, as people were sincerely moved by young Tyler and our giveback program for this windchime that supports autism research and treatment through the donation of profits from its sale. You can view it at: chimes.com/autism.
While the festival attracts filmmakers, movie stars and audiences from around the globe, there are many films that have a regional relationship such as ours. The movie about Philippe Petit, the man who walked on a wire between the top of the World Trade Center towers, was premiered at the festival this year. Philippe lives in the Woodstock area. This film by director Robert Zemeckis is about to be released throughout the US in commercial theaters. The festival is affiliated with the Hudson Valley Film Commission, which promotes film production in the region. hudsonvalleyfilmcommission.org/index.html
This region, which is the home of Woodstock Chimes, is known for its beautiful environment, its history and its culture. There are almost too many things to choose from, such as the many wonderful festivals of all sorts.
I recently played in the orchestra for the Festival of the Voice in Phoenicia, NY. This is a five-day event in its sixth year with extraordinary singers and musicians performing many styles of music. This season featured music by American composers from the revolutionary period to the present. The Cambridge Chamber Singers treated us to early American music from the 18th century, while the opera night gave us a performance of Carlisle Floyd’s Of Mice and Men, based on the Steinbeck novel. This is a challenging work that major opera houses around the world would find difficult to present. We also performed Stephen Sondheim’s hit musical A Little Night Music. The creators of this festival are stars from the Metropolitan Opera in New York City, and the festival is world class. One of the highlights for me was seeing Jack DeJohnette and Sheila Jordan (soon to celebrate her 87th birthday) performing a set with Jack on piano. They were amazing! Next season, the Festival of the Voice will feature music and theater incorporating Shakespearean influences.
Shortly after this festival ended, the three-day Summer Hoot in Olivebridge began. This festival takes place on the grounds of the Ashokan Center (ashokancenter.org), a place dedicated to environmental and music education, featuring performances by Jay Ungar and Molly Mason. The Hoot is the brainchild of their child, Ruthy Ungar and her husband Mike Merenda, who host this semi-annual event (there’s a Winter Hoot, too). Diane and I camped for the weekend at the center so we could catch all of these fantastic performances. This was funny considering the center is only a five-minute drive from our home. Jay Ungar is known for writing and performing the tune Ashokan Farewell, which filmmaker Ken Burns used for his Civil War documentary. PBS is rebroadcasting a restored, HD version of The Civil War, featuring Jay’s tune, starting September 7th. This coincides with the 25th anniversary of the original broadcast. Jay and Molly were among the performers at the Hoot. They bring great things to the community and the Hoot is one of them. I was pleasantly surprised to hear many of these performers at the Hoot incorporating throat singing techniques in which several sounds are made by one person at one time.
Of the many spectacular performances, I especially enjoyed the quartet led by Amy Helm (daughter of Levon Helm of The Band) called The Handsome Strangers, with wonderful music and terrific playing / singing by all.
The last performer was Loudon Wainwright III, who, besides being a folk legend, fathered several well-known performers including Rufus Wainwright. Loudon’s music was refreshingly rude and socially pertinent. The finale of the festival included many of the performers from the weekend singing along with Loudon in a group rendition of his famous 1972 hit song Dead Skunk.
The next festival I will be attending and performing in is my own production called the Drum Boogie Festival, which will include a performance by NEXUS, the percussion group of which I am a member. Jack DeJohnette, Joe Locke, Valerie Naranjo, Dibyarka Chatterjee, I Gusti Agung Ayu Warsiki (renowned Balinese dancer with gamelan orchestra) will also be featured, to name a few.
This is an all-day event scheduled for September 12th from 11 AM to 8 PM here in Woodstock, featuring world-class drummers, singers and dancers, and admission is free. Check out the website for a complete list of performances, directions and times (drumboogiefestival.com).
In October, the Woodstock Film Festival (woodstockfilmfestival.com) is happening, which this year will be screening our film Chimes for Autism: Tyler’s Story. This film is about an eight-year-old autistic boy named Tyler Doi who is a true expert at identifying Woodstock Chimes by sound. As a result of meeting Tyler, we developed the Chimes for Autism, and donate the profits to autism programs. Go to http://www.chimes.com/t-autism.aspx to learn more about this.
There are too many festivals to mention all of them here but I urge you to check out our local tourism site each month to stay in touch. ulstercountyalive.com
I have been producing a free, one-day, world-class percussion festival every other year since 2009. While I try to mix up the offering, four groups have participated in each of the three festivals and will appear in the coming festival September 12th of this year. They include NEXUS, Jack DeJohnette, POOK and The Great American Fife and Drum Band.
NEXUS has done a variety of repertoire in each festival, from major works of Steve Reich to the ragtime music of George Hamilton Green, whose gravesite just happens to be across the street from the festival site in Woodstock, New York. Jack DeJohnette has brought some amazing musicians to the festival each time and this year will not be an exception. Jack will be joined by bassist Matt Garrison and Gambian Kora player Foday Musa Suso. NEXUS will be joined by Prana, a vocal overtone singing ensemble, performing arrangements of the music of street musician Moondog. NEXUS has just released a new CD of these pieces (nexuspercussion.com). POOK and The Energy Dance Company are youth programs of the Center for Creative Education, a not-for-profit arts education organization based in Kingston, NY. These kids always blow the audience away with their exciting drumming and dance. The Great American Fife and Drum Band, led by Dominick and Therese Cuccia, is one of the leading interpreters of innovative rudimental drumming. Dominick and Therese have been training their four children to play rope drums and fife and will include them in the performance. The whole family is spectacular and is joined by the veteran, award-winning Nick Attanasio on the rudimental bass drum.
Returning from the last festival are the super-charged Taiko drummers and dancers of COBU, led by Yako Miyamoto, one of the stars of Off-Broadway’s Stomp. Also returning are Mandara and NYU Steel. Mandara is a wonderful African influenced jazz group led by Valerie Naranjo, a member of the Saturday Night Live band and the Lion King orchestra on Broadway.
NYU Steel is a large group of Trinidad and Tobago style steel pan players led by Josh Quillen of So Percussion. Returning from past festivals is Gamelan Giri Mekar All-Stars, performing authentic Balinese music on a collection of traditional instruments, accompanying dancers from Bali. New to the festival this year are the great vibraphonist Joe Locke, the East Indian tabla ensemble Aanadhha with Dibyarka Chatterjee, and The Big Takeover reggae band with Jamaican lead singer NeeNee Rushie.
While my mission in producing the Drum Boogie Festival is to present the diversity of world percussion to the general public, I must admit my selfish motive is to hear these incredible performers, one after another, in a beautiful setting of the Catskill Mountains of the Hudson Valley. The festival has always been free to the public as a result of the generosity of the esteemed Kevin Cahill, our representative to the New York State Assembly, who gave me the idea in the first place to put the festival together back in 2009. The legendary marketing genius, Milton Glaser, a Woodstock resident, suggested the name of the festival and created our cool logo. Local businesses have chipped in to make it a reality. This year they include Bread Alone, Luminary Press, Ceres Technologies, Markertek.com, NYS Parks and Recreation, Walters-Storyk Design Group, Woodstock Chimes, First Niagara, Ulster Publishing and Radio Woodstock.
We also have a hidden agenda each time, supporting the local advocacy organization, Family of Woodstock, which serves the homeless of our region. We give a significant donation to Family at each festival, this year supporting their domestic violence programs. I am proud of this effort, which helps to bring awareness to this national issue within our community.
If you are within range on September 12 (rain date 13), please come help us celebrate percussion, rhythm, the fight against domestic violence and the joy of life. Check out our website www.drumboogiefestival.com to see the schedule of performers, get more information and see video of past performances.
“Garry [Kvistad] has created a unique festival that celebrates the art of percussion from around the world. It has been great fun to participate in Drum Boogie and I really enjoy seeing, hearing and meeting such a diversity of major talent from all over. I consider it to be very successful and look forward to its ongoing cultural contribution to the richness of the Town of Woodstock and the Hudson Valley.” – Jazz great Jack DeJohnette
Drum Boogie Festival Board of Advisors: Kevin Brady, President, Ceres Technologies Jack DeJohnette, world-renowned jazz musician Milton Glaser, Principal, Milton Glaser, Inc. Graphic Design Holly Green-Emerick, granddaughter of the late George Hamilton Green, composer / xylophone artist Michael Lang, 1969 Woodstock Festival producer Pat Metheny, award-winning jazz musician / composer Steve Reich, prominent American composer Alan Steel, CEO, Jacob K. Javits Convention Center John Storyk, Architectural Acoustician and Partner of Walters-Storyk Design Group Ruth Underwood, former percussionist with Frank Zappa
Wolfgang Amadeus Mozart lived for only 35 years, creating I some of the most incredible music during his short stay on this planet. Amy Winehouse lived for only 27 years, also creating a wealth of music, albeit quite different. In 1984, the movie Amadeus offered the public a fictionalized account of Mozart’s life based on information known to musicologists and historians. Recently, a documentary on the life of Amy Winehouse was released, simply called Amy, which, due to the availability of a large volume of videos and recordings, showed us an in-depth and personal look at her life.
I was struck by the many similarities between these two musical greats. My background is mostly in classical western music and I have a very limited relationship with pop music. I was quite familiar with the music of Mozart but only knew of Amy Winehouse from her duet recording with Tony Bennett. Tony compared her talents to those of Ella Fitzgerald and Billie Holiday. Besides being a fantastic jazz-pop singer, Amy was a prolific songwriter. She has six Grammy Awards, while Mozart’s music has brought in even more. Mozart and Amy Winehouse were both fairly short: Mozart was 5’4″ while Amy was 5’3″ tall. They both had fathers who pushed them hard to become successful. They both had spouses who, it seems, took advantage of their special talents. They both drank heavily, which ultimately killed them. They had their ups and downs with public opinion. Mozart was buried in a communal plot without any fanfare. Amy was the brunt of many jokes at the end of her life as a result of her often bizarre behavior. They certainly didn’t look alike and I doubt that Mozart had any tattoos or body piercings. However, they both had a huge effect on the world within their short lifespans. One can only imagine what they could’ve accomplished had they lived longer. I have always been a big fan of Mozart’s and now I can add Amy Winehouse to my list of admired artists. Oh, and yes, they both enjoyed flamboyant hairstyles.
When I founded Woodstock Chimes® in 1979, my idea was to make beautiful, musically-tuned windchimes, and I’m happy to still be doing that all these years later. But every now and then, a different kind of product comes along that is irresistible, and . . . well . . . we just can’t resist adding it to our line. Handmade ducks in colorful spotted rain boots from The Dcuk Company in the UK are just such a product. We fell head over wellies for these guys and had a feeling our customers would, too.
With their quizzical faces and endearing poses, they exude personality, so it was only natural that we pick a group of them to become the “Webb family.” Larry and Loretta Webb with their little ones Fiona and L.J. (Larry, Jr.) even have their own Facebook page! I wanted the father’s name to be Jack Webb, but I was told that only people my age would get that. Turns out they love to travel, and they’re ready for adventure at the drop of a duck feather. A good time was had by all on their trip to Hawaii last month, with L.J. getting up to his usual shenanigans and Larry buying a Hawaiian shirt to match his wellies. Here are a couple of snapshots from the trip.
Fiona and L.J. try out a trampoline on the beach
L.J. and Fiona learn to scuba dive
We ran a contest, asking our Facebook fans to let us know where they’d like the ducks to travel next and got a lot of great ideas, so I think the Webb gang will be on the go a lot this summer!
The names of the people who responded were put into a Lucky Ducky – Win a Ducky bucket for a random drawing. As you can see, the Webbs gathered around with eager anticipation to watch me announce the name of the winning contestant. I think they approved! A cousin of L.J.’s will soon be flying off to the lucky winner.
At Woodstock Chimes, we’ve always been about music, but we’re also about spreading joy and having fun. These guys bring out the kid in everyone, and I think that’s just ducky!
P.S., If you don’t want to miss a thing that the Webbs are up to and want to find out how to win your own duck in the next Lucky Ducky contest, just click “like” on the Meet the Duck Family Facebook page!
Every now and then I have the pleasure of working with young students and it happened recently when I was invited to give workshops and a concert at the Wilbraham Monson Academy in central Massachusetts. The students there were wonderfully receptive to the concepts and ideas that I presented relating to instrument building, tuning, business and the music that I presented of Steve Reich. I met with the students involved in a music program, a business class a group of eighth graders, and the day ended with a presentation to the entire student body and faculty of 200.
Having attended a private boarding school for my high school years, I was happy to see some traditions are still alive. First of all, everybody was very cordial and they were great listeners. They also dressed up for this day of activities with their signature blue blazers. I’m not a stickler for dress codes but remember well that uniforms at the boarding school I attended made for an equal playing ground among the wide range of economic backgrounds the students came from.
I was invited to the school by an old colleague, Thad Wheeler. Thad and I have been performing with Steve Reich for the last 25 years. The all-school assembly started off with a performance of Steve’s Clapping Music for which Francesca Vanasco–Wheeler joined us, turning this duet into a trio. Francesca is a fantastic cellist and now she can add virtuosic clapper to her resume. After Clapping Music, I demonstrated my harmonic tube instrument, the Vistaphone. This instrument has 32 tubes and rods ranging from 7 inches long to 9 feet long. It produces a sound that you cannot hear on any other instrument, namely the frequencies of what is known as the harmonic overtone series. I explained how that works and why it was unique. We ended the mini concert with a performance of Mallet Phase, an arrangement I made of Steve’s Piano Phase. Thad and I perform this work on a set of instruments I built specifically to realize this composition in an ancient tuning system known as just intonation.
I am happy to say the students seemed mesmerized by Steve’s music. While this is not an Academy of musical arts, the students have a wonderful sensitivity to the creative process there. I am happy to report there’s hope for the future!